If you haven’t noticed, change is “in.” It’s the hottest word since “hope” became synonymous with optimism. Everyone wants it from our presidential candidates, to social activists and now to fashion designers.
damali ayo (lowercase is intentional) not only wants change spoken but she wants it worn too. The conceptual artist has recently added fashion designer to her titles to demonstrate the power of change. Her introductory label, CROW features a line of casual glam – all gender hoodies, a 3-way shirt, and tiebreakers – communicating real world issues.
As CROW's tagline suggests “it’s more than what you wear. It’s who you are.” CROW offers its customers a complete lifestyle. On the CROW Web site, you can find out about social issues, health and fitness, get a second opinion from a naturopath, learn how to compost, and even how to join the textile workers union. All CROW clothing is tagged with a vow card customers sign and return to be counted among those who are committed to engaging this new lifestyle where we “enter into a relationship with our world and the people in it.”
What does this new CROW world where social change is no longer segmented, but integrated world look like? Clay, a shade of grey formed when two opposite colors on the color wheel are mixed. That symbolism, or I should say “realism”, is CROW’s signature color projecting a world beautiful in all its complexities.
A portion of all sales of the Portland, Oregon-based label goes to artists creating work that engages social change, through ayo’s Now Art Grants program.
What distinguishes CROW from other social responsible business models is its progressive formula of economics, social justice and the environment. The CROW customer can name its price in a sliding scale on all garments. Love the CROW Hoodie? Love it at the price you choose, from $40 to $75, as suggested by the site; now when was the last time you saw that offered by a retail clothing company?
ayo plans to enlist the services of seamstresses through its nest-egg program. “We believe that even social justice business provides an opportunity for financial gain and independence, not just for us, but everyone who works on our product,” ayo says.
The label equally promotes environmental sustainability and fair labor practices. ayo uses a variety of soft on the earth fibers such as soy, organic cotton, lyocell and hemp to ensure sustainability of resources. This stance extends to its unique line of “scrapology” garments, one-of- a-kind garments made from leftover fabrics. To offset its transportation carbon emissions, items are shipped through Uship, a partnership with TerraPass.com.
Sadly, not everyone believes in change. Change must be seen for a conversion to occur. ayo has built a business model on transparency unlike its predecessors in the fashion industry.
“We want our customers to trust every thing we say and everything we sell,” ayo says. “In this era of corporate distrust, CROW will emerge as a leader that ‘breaks the mold’ when it comes to how a company is run and how it views the bottom line(s) which include not only profit but cultural impact and the growing of relationships and resources at every step in our process.”
ayo’s own acceptance of change began at birth. Her innate skill and talent for cultivating change has earned praise from the social justice community. In 2005, she followed her critically acclaimed web-art-performance rent-a-negro.com with the book version, How to Rent a Negro, which received awards and favorable media attention. When ayo is not designing her CROW Clothing collection, she directs her Now Art Grants, a program that combines small donations of a large number of individuals then grants that money to artists engaged in social change.
My Signature Look is one of eight "advisory birds" throughout the country that support ayo in her approach to creating change through fashion. Her ambitious business model has raised the bar for ethical fashion, proving co-opetition can bring real change for all those who participate.
Sunday, March 16, 2008
Saturday, February 23, 2008
Dress Your Age, Which Is?
In late January, I celebrated my 34th birthday. I treated myself to a morning jog and then gratefully slipped into a new pair of 7 For All Mankind jeans I bought myself as a birthday gift. I paired the high-waisted flared jeans with a cream blouse made out of recyclable materials by eco-friendly designer label God Help Miss Agnes. I felt stylish. I looked stylish. But that was a good day.
As a stylist, I strive to look my best everyday regardless the occasion, I aim for that perfect outfit that flatters my figure while reflects my quirky personality. I am the first to advocate for finding your own unique style – break the rules, take risks, make your own statement!
Well, maybe that was in haste. There are some rules that really shouldn't be broken. Please ladies, no black nylons with white heels or black heels (period) with light-washed jeans. Gents, no socks with your Birks or company-logoed polo shirts worn out to a nice restaurant.
Aside from the arguments of what constitutes as style, ooh, I cringe writing the next statement, but can a fashionista be agewear-conscious? It seems that we are living in an identity crisis. Teeny-boppers are dressing provocatively (even at 34, I blush at what I've seen), our mothers wearing mini-skirts (an Ally McBeal flashback, skinny or not) and young professional males are wearing their father's blazers and cardigans (well, kudos to U.K. retailer Reiss for modernizing a classic trend).
It's hard to know what's considered age-appropriate clothing when the fashion world seems geared toward young women and men.
I recently attended a fashion show where the featured Japanese designer created a collection inspired by the 1930s. As I watched the young models parade in fringe and trains of billowing garbage bags (pure aesthetics, folks), I too wanted to play dress up. Vintage worn by young people can look fresh and modern and vintage worn by someone of that same era, well, looks vintage.
Recent reviews of the Bill Blass spring 2008 show politely described it as homage to decades of party dresses. What you saw were dresses restored from archives brought to life by young models. Again, who should be wearing such dresses? The young debutante runs the risk of looking too matronly but then too predictable for the woman who wore the original Bill Blass gown.
Each week, the fashion victims on How Do I Look on the Style network cable channel appear to be just as confused. Last week, a mother felt the sting of her 20-year-old daughter’s embarrassment. The mother built a wardrobe around spandex and off-the-shoulder mini dresses that sadly brought gasps by the daughter and her friends. Her defense? She wanted to look young and sexy. Or there was the episode where the 24-year-old mother of two layered herself in fabric akin to muumuus and out-dated ankle-length Sunday dresses that not even a church elder would wear.
The other day my inner child got the best of me. I entered Urban Outfitters. I blame it on the huge SALE sign on the glass window, but honestly, it was my hold on youthful urban wear. I immediately found myself drawn to babydoll dresses (they are so versatile – layer in the cooler months and wear as a summer dress with flats) and graphic t-shirts. Never mind the fact that I just purchased a floral-patterned babydoll dress earlier in the week! I was weak. But I resisted temptation and put the dress back on the rack. Victory.
Admittedly, I didn’t like the idea of turning 34 and perhaps this article is more about my own acceptance of getting older. Yet, my personal observations of people in general have led to the conclusion that we either live in the moment or in the past, regardless of age.
If there is one strength I have, it is the ability to change. As I evolve so should my own look. I must believe that it's really not about the age you are, but about the age that you appear.
Here are a few tips this stylist promises to keep herself:
1. Body-appropriate – wear clothes that are form fitting, which doesn’t mean tight enough to see an overflow of flesh.
2. One trendy item – clothing item or accessory – per outfit.
3. No mini-skirts or midriff tops past the age of 35, unless you are Tina Turner. (See rule #1)
4. Upgrade your shoes – no flip-flops (other than for gym showers), no chunky platforms, no plastic, after your early 30s.
5. Class act – take pride in your appearance and reserve your youthful energy for the shopping!
As a stylist, I strive to look my best everyday regardless the occasion, I aim for that perfect outfit that flatters my figure while reflects my quirky personality. I am the first to advocate for finding your own unique style – break the rules, take risks, make your own statement!
Well, maybe that was in haste. There are some rules that really shouldn't be broken. Please ladies, no black nylons with white heels or black heels (period) with light-washed jeans. Gents, no socks with your Birks or company-logoed polo shirts worn out to a nice restaurant.
Aside from the arguments of what constitutes as style, ooh, I cringe writing the next statement, but can a fashionista be agewear-conscious? It seems that we are living in an identity crisis. Teeny-boppers are dressing provocatively (even at 34, I blush at what I've seen), our mothers wearing mini-skirts (an Ally McBeal flashback, skinny or not) and young professional males are wearing their father's blazers and cardigans (well, kudos to U.K. retailer Reiss for modernizing a classic trend).
It's hard to know what's considered age-appropriate clothing when the fashion world seems geared toward young women and men.
I recently attended a fashion show where the featured Japanese designer created a collection inspired by the 1930s. As I watched the young models parade in fringe and trains of billowing garbage bags (pure aesthetics, folks), I too wanted to play dress up. Vintage worn by young people can look fresh and modern and vintage worn by someone of that same era, well, looks vintage.
Recent reviews of the Bill Blass spring 2008 show politely described it as homage to decades of party dresses. What you saw were dresses restored from archives brought to life by young models. Again, who should be wearing such dresses? The young debutante runs the risk of looking too matronly but then too predictable for the woman who wore the original Bill Blass gown.
Each week, the fashion victims on How Do I Look on the Style network cable channel appear to be just as confused. Last week, a mother felt the sting of her 20-year-old daughter’s embarrassment. The mother built a wardrobe around spandex and off-the-shoulder mini dresses that sadly brought gasps by the daughter and her friends. Her defense? She wanted to look young and sexy. Or there was the episode where the 24-year-old mother of two layered herself in fabric akin to muumuus and out-dated ankle-length Sunday dresses that not even a church elder would wear.
The other day my inner child got the best of me. I entered Urban Outfitters. I blame it on the huge SALE sign on the glass window, but honestly, it was my hold on youthful urban wear. I immediately found myself drawn to babydoll dresses (they are so versatile – layer in the cooler months and wear as a summer dress with flats) and graphic t-shirts. Never mind the fact that I just purchased a floral-patterned babydoll dress earlier in the week! I was weak. But I resisted temptation and put the dress back on the rack. Victory.
Admittedly, I didn’t like the idea of turning 34 and perhaps this article is more about my own acceptance of getting older. Yet, my personal observations of people in general have led to the conclusion that we either live in the moment or in the past, regardless of age.
If there is one strength I have, it is the ability to change. As I evolve so should my own look. I must believe that it's really not about the age you are, but about the age that you appear.
Here are a few tips this stylist promises to keep herself:
1. Body-appropriate – wear clothes that are form fitting, which doesn’t mean tight enough to see an overflow of flesh.
2. One trendy item – clothing item or accessory – per outfit.
3. No mini-skirts or midriff tops past the age of 35, unless you are Tina Turner. (See rule #1)
4. Upgrade your shoes – no flip-flops (other than for gym showers), no chunky platforms, no plastic, after your early 30s.
5. Class act – take pride in your appearance and reserve your youthful energy for the shopping!
Sunday, February 3, 2008
Emerging Designers Bring Class and Sophistication to D.C.
When D.C. lost über-cool Unsung Designers last December to New York City, the fashion community was heartbroken. The boutique’s claim on emerging designers introduced local fashionistas to a world of hip culture and couture. It was a refuge for bold, funky, and edgy styles that attracted even the shiest of characters. Thankfully, online sales are still possible but if a shopping excursion to New York is not in your future, then where does that leave the designers? The departure may have left L.A.-based designers Stephanie Verrières and Kimi Sako of Verrières-Sako without a second home, but the duo wants to ensure D.C. fashionistas are well stocked with their film noir-inspired collection of pencil skirts and cocktail dresses.
“We fell in love with D.C. and were sad to learn that the store was closing,” Verrières said recently from her California design studio. “We would really like to be in the D.C. [retail] market.”
And there is plenty of room.
The designers’ skill for manipulating fabric to create dramatic lines as demonstrated in the double collar blouse or signature defined waist dress appeals to the femme fatale gone glam. The organza dress coats worn over a sultry little cream dress would be the perfect attire for a night at the Kennedy Center. The collection’s palette of neutral hues and quality fabrics, which includes bamboo, invokes elegance and sophistication – a perfect description of the modern D.C. woman.
In the months to come, Verrières-Sako plans to return to D.C. to participate in trunk shows. In the meantime, My Signature Look, a local wardrobe consulting company, has acquired items from the collection for private viewings. My Signature Look held the first viewing last week to rave reviews by clients and colleagues.
The District’s recent expansion of boutiques and couture living appears ripe for an Unsung Designer replacement, if not the answer to emerging designers east-coast hub.
Contact My Signature Look at 202-445-0590 or katherine@mysignaturelook.com to schedule an appointment to view the collection. Offer is available through the month of February 2008.
“We fell in love with D.C. and were sad to learn that the store was closing,” Verrières said recently from her California design studio. “We would really like to be in the D.C. [retail] market.”
And there is plenty of room.
The designers’ skill for manipulating fabric to create dramatic lines as demonstrated in the double collar blouse or signature defined waist dress appeals to the femme fatale gone glam. The organza dress coats worn over a sultry little cream dress would be the perfect attire for a night at the Kennedy Center. The collection’s palette of neutral hues and quality fabrics, which includes bamboo, invokes elegance and sophistication – a perfect description of the modern D.C. woman.
In the months to come, Verrières-Sako plans to return to D.C. to participate in trunk shows. In the meantime, My Signature Look, a local wardrobe consulting company, has acquired items from the collection for private viewings. My Signature Look held the first viewing last week to rave reviews by clients and colleagues.
The District’s recent expansion of boutiques and couture living appears ripe for an Unsung Designer replacement, if not the answer to emerging designers east-coast hub.
Contact My Signature Look at 202-445-0590 or katherine@mysignaturelook.com to schedule an appointment to view the collection. Offer is available through the month of February 2008.
Monday, January 7, 2008
Plain Jane Who?
Plain Jane Who?
A few weeks ago I sat in my hairstylist’s chair ready to take another plunge. The first plunge was my senior year in high school before graduation when I thought it would be a nice bonding experience if my dad cut my hair. No, my dad doesn’t cut hair for a living and the last time I had shoulder length hair was when I was about 11 and my mother and I cried all the way home. Anyway, my long brown locks were my signature look. Then in early August of 2007 I needed a change. Initially, I blamed the heat and humidity as the source of my irritability, but honestly, I have a love-hate relationship with my hair. This time, I wanted to go short, really short – No, not the Brittany Spears short, but Audrey Hepburn in the movie Sabrina, or Natalie Portman post V for Vendetta. My stylist listened sympathetically as I showed him pictures of celebrities and with his magic touch gave me a happy medium. Now, four months later, I was ready to go a tad bit shorter. I walked in with my pictures and left in an inspired 1940’s bob with bangs (think Catherine Zeta-Jones in Chicago or Mary J. Blige’s current ‘do). I found a new me.
What really happened that day was an acknowledgement to the real me. I love change. I honor my quirky personality by being a guinea pig for new lipsticks, eye shadow, haircuts and of course, fashion trends. Through this process I’ve learned what works and what doesn’t – moss green eye shadow, no, but purple makes my hazel eyes pop. Capri pants, not so much (well, not a favored a look for anyone in my opinion), but skinny jeans create a long lean silhouette. In other words, change does not mean a sacrifice. It is a personal characteristic.
This past year I have had the pleasure of working with clients who all possessed a je ne sais quoi. Their impressive resume of life experiences spoke volumes but unflattering clothing was stifling their colorful spirit. Take my client Damali Ayo. An artist/activist by trade, she travels frequently giving lectures and workshops. Her suitcase contained non-descriptive “easy” outfits that were safe, and well frankly, plain. When she contacted My Signature Look she said she lost something important to her: her identity. She had gone from wearing urban chic to a jacket and pant uniform in black, grey and navy. An upgrade in the quality of her garments and sophistication would give her that “It” factor, but most importantly, send a bold statement about everything she is and represents. And the reviews have been positive. She now dons clothing that gets mentioned in articles about her – just what every stylist likes to hear! She has even started her own clothing line called CROW (more about the collection in a future blog), a venture she says inspired by her transformation.
Working with Damali and other clients has led me to the conclusion that there is no such thing as a plain Jane or Joe. Our individual talents are expressed daily through dialogue, an instrument, a science formula, a research project, and a piece of art. However, it should not stop at personal appearance. Think of it in terms of the whole package – would you send a proposal without a cover? Would you show up for a job interview wearing shorts? The danger plain Jane’s or Joe’s face is apathy. Financially-speaking aside, a poor appearance says you don’t care about yourself and/or it’s not important. I have a hard time believing that this is true and rather believe it is an issue of capability.
2008 is here, bringing with it an invitation to transform our lives for the better. I challenge you to spend January envisioning a new you or even reclaiming a lost sense of style. Write down your talents and ask how your appearance compliments the same passion you have for that talent. Reassess what you have in your closet (and of course, My Signature Look is happy to help with this process!) and pass along items that don’t fit to someone else and keep those that have potential. This goes for beauty products, too. Observe colleagues, people on the streets, friends, and family members who have that complete package for inspiration. Finally, start mapping out your plan which should include extra time in the morning for assembling a new outfit with existing clothes, coiffing your hair, or applying makeup that accentuates either your eyes or lips. Whether it is a new haircut or wearing a piece of jewelry, the extra effort truly does leave a lasting impression. Who knows what this process may just reveal….
A few weeks ago I sat in my hairstylist’s chair ready to take another plunge. The first plunge was my senior year in high school before graduation when I thought it would be a nice bonding experience if my dad cut my hair. No, my dad doesn’t cut hair for a living and the last time I had shoulder length hair was when I was about 11 and my mother and I cried all the way home. Anyway, my long brown locks were my signature look. Then in early August of 2007 I needed a change. Initially, I blamed the heat and humidity as the source of my irritability, but honestly, I have a love-hate relationship with my hair. This time, I wanted to go short, really short – No, not the Brittany Spears short, but Audrey Hepburn in the movie Sabrina, or Natalie Portman post V for Vendetta. My stylist listened sympathetically as I showed him pictures of celebrities and with his magic touch gave me a happy medium. Now, four months later, I was ready to go a tad bit shorter. I walked in with my pictures and left in an inspired 1940’s bob with bangs (think Catherine Zeta-Jones in Chicago or Mary J. Blige’s current ‘do). I found a new me.
What really happened that day was an acknowledgement to the real me. I love change. I honor my quirky personality by being a guinea pig for new lipsticks, eye shadow, haircuts and of course, fashion trends. Through this process I’ve learned what works and what doesn’t – moss green eye shadow, no, but purple makes my hazel eyes pop. Capri pants, not so much (well, not a favored a look for anyone in my opinion), but skinny jeans create a long lean silhouette. In other words, change does not mean a sacrifice. It is a personal characteristic.
This past year I have had the pleasure of working with clients who all possessed a je ne sais quoi. Their impressive resume of life experiences spoke volumes but unflattering clothing was stifling their colorful spirit. Take my client Damali Ayo. An artist/activist by trade, she travels frequently giving lectures and workshops. Her suitcase contained non-descriptive “easy” outfits that were safe, and well frankly, plain. When she contacted My Signature Look she said she lost something important to her: her identity. She had gone from wearing urban chic to a jacket and pant uniform in black, grey and navy. An upgrade in the quality of her garments and sophistication would give her that “It” factor, but most importantly, send a bold statement about everything she is and represents. And the reviews have been positive. She now dons clothing that gets mentioned in articles about her – just what every stylist likes to hear! She has even started her own clothing line called CROW (more about the collection in a future blog), a venture she says inspired by her transformation.
Working with Damali and other clients has led me to the conclusion that there is no such thing as a plain Jane or Joe. Our individual talents are expressed daily through dialogue, an instrument, a science formula, a research project, and a piece of art. However, it should not stop at personal appearance. Think of it in terms of the whole package – would you send a proposal without a cover? Would you show up for a job interview wearing shorts? The danger plain Jane’s or Joe’s face is apathy. Financially-speaking aside, a poor appearance says you don’t care about yourself and/or it’s not important. I have a hard time believing that this is true and rather believe it is an issue of capability.
2008 is here, bringing with it an invitation to transform our lives for the better. I challenge you to spend January envisioning a new you or even reclaiming a lost sense of style. Write down your talents and ask how your appearance compliments the same passion you have for that talent. Reassess what you have in your closet (and of course, My Signature Look is happy to help with this process!) and pass along items that don’t fit to someone else and keep those that have potential. This goes for beauty products, too. Observe colleagues, people on the streets, friends, and family members who have that complete package for inspiration. Finally, start mapping out your plan which should include extra time in the morning for assembling a new outfit with existing clothes, coiffing your hair, or applying makeup that accentuates either your eyes or lips. Whether it is a new haircut or wearing a piece of jewelry, the extra effort truly does leave a lasting impression. Who knows what this process may just reveal….
Tuesday, December 4, 2007
Fashion’s Cause Célèbre: World Peace
Ask me how I would define fashion and I’ll provide you a sketch. Albeit poorly drawn, it would be a spectrum of images beginning with draping fabric (aka “Toga” or “Grecian Goddess”) fastened by an ornate brooch or fancy knot paired with sole to the earth sandals, followed by corsets and men in tights, then delicate Victorian collars and tweed suits, the little black dress (thank you, Audrey!), the little black mini (thank you, Madonna!), and then menswear for women feminized with Manolo Blahniks or Christian Louboutins.
I’m not a fashion designer but I suspect our definition would be similar. Fashion is a perspective, social commentary, and personal dialogue with his/her muses. Fashion is also a mood that influences what you put on in the morning. Today, I want to channel Audrey, so I’ll slip on my Givenchy-inspired black dress.
What is definitive is that fashion speaks volumes. It sends messages daily of who we are through the clothes we wear and how they are worn. Its fashion personified.
Eventually, we evolve and so does fashion. Fashion will always be a source of personal identification, but now it challenges us to use our resources, time and awareness to invest in others. Designer Kenneth Cole pioneered a subtle yet compelling ad campaign addressing the AIDs epidemic in 1985. Honestly, I remembered learning about AIDs in freshman Health class but it was Cole’s bold ads that inspired me to act. I attribute my appreciation for cultural diversity in large part to Benetton.
Today, instead of sending a check to your favorite charity, you may opt to attend the organization’s fashion-themed fundraiser. Shop the silent auction or trunk show while learning how you can save the environment or support a group of artisans in Guatemala.
The Women’s Federation for World Peace (WFWP) is one such organization. In an effort to promote its mission, and in particular its Schools for Africa Project, the tradition of hosting a fashion show started in Japan and is now duplicated by its counterparts worldwide.
Caroline Betancourt, Vice President of the DC Chapter of WFWP, finds a commonality between fashion and peacebuilders.
“Fashion is an international art form beyond words to create a common bond,” says Caroline Betancourt, “which is similar to peace building.”
On Sunday, December 9, Washingtonians will convene at The Washington Times building to watch six international fashion designers present their designs at the 2nd Annual Fashion for World Peace fashion show.
Among them will be Ghanaian fashion designer, Afua Sam of Studio D-MAXSI.
The sought-after designer returns to the runway to present her latest collection of women’s apparel. However, the real goal is to support issues that affect women.
“The number one issue for me is female empowerment,” Ms. Sam said. “It is so important for young girls around the world to be empowered in all they do, whether it is academia or the arts. When the confidence of women are reinforced thus empowered, it makes for a better world. Women are such a source of strength for all mankind that enriching, educating and nurturing the female child is in essence making the world a better place.”
As producer of the show, Natasha Bryson of REDgemini, hopes the event draws a diverse audience.
“I think fashion is one of those things that any and everyone can identify with,” Bryson said. “Fashion essentially becomes the drawing card used to deliver the bigger message.”
Ms. Sam could not agree more.
“Fashion is a vehicle for social awareness,” Ms. Sam said. “A lot of people see fashion as fluffy and materialistic, however fashion is an industry that provides employment to so many around the world, it allows individuals to show their creativity and it serves as a source of income. My goal with Afua's Foundation is to raise awareness about issues that are important to me and utilize my work as a designer to provide as much financial support as I can through fundraisers, donations and personal contributions.”
Studio D-Maxsi will share the runway with renowned fashion designers Alek Risminic Couture, Estella Couture-Nigeria, Lenny Yorke, Magnami Style & Co, and Shaka King.
In addition to a silent auction, the WFWP will present its Ambassador of Peace award to Carol Schwartz, At-Large City Council member and Congresswoman Diane E. Watson, California’s 33rd District of the House of Representatives in recognition for their contributions to peace building, education and human rights for women and children.
WFWP, USA is based on the belief that the family is the cornerstone for peace in the world, and that mature couples are the foundation for strong and loving families. WFWP, USA encourages every woman to become a "woman of peace" through cultivating her mother’s heart, to care for all children and families throughout the world, by developing and utilizing the qualities of empathy, forgiveness, and unconditional love. For more information, visit www.fashionforpeace.org.
Ask someone what fashion means to them and hopefully you will hear the words catalyst for change.
I’m not a fashion designer but I suspect our definition would be similar. Fashion is a perspective, social commentary, and personal dialogue with his/her muses. Fashion is also a mood that influences what you put on in the morning. Today, I want to channel Audrey, so I’ll slip on my Givenchy-inspired black dress.
What is definitive is that fashion speaks volumes. It sends messages daily of who we are through the clothes we wear and how they are worn. Its fashion personified.
Eventually, we evolve and so does fashion. Fashion will always be a source of personal identification, but now it challenges us to use our resources, time and awareness to invest in others. Designer Kenneth Cole pioneered a subtle yet compelling ad campaign addressing the AIDs epidemic in 1985. Honestly, I remembered learning about AIDs in freshman Health class but it was Cole’s bold ads that inspired me to act. I attribute my appreciation for cultural diversity in large part to Benetton.
Today, instead of sending a check to your favorite charity, you may opt to attend the organization’s fashion-themed fundraiser. Shop the silent auction or trunk show while learning how you can save the environment or support a group of artisans in Guatemala.
The Women’s Federation for World Peace (WFWP) is one such organization. In an effort to promote its mission, and in particular its Schools for Africa Project, the tradition of hosting a fashion show started in Japan and is now duplicated by its counterparts worldwide.
Caroline Betancourt, Vice President of the DC Chapter of WFWP, finds a commonality between fashion and peacebuilders.
“Fashion is an international art form beyond words to create a common bond,” says Caroline Betancourt, “which is similar to peace building.”
On Sunday, December 9, Washingtonians will convene at The Washington Times building to watch six international fashion designers present their designs at the 2nd Annual Fashion for World Peace fashion show.
Among them will be Ghanaian fashion designer, Afua Sam of Studio D-MAXSI.
The sought-after designer returns to the runway to present her latest collection of women’s apparel. However, the real goal is to support issues that affect women.
“The number one issue for me is female empowerment,” Ms. Sam said. “It is so important for young girls around the world to be empowered in all they do, whether it is academia or the arts. When the confidence of women are reinforced thus empowered, it makes for a better world. Women are such a source of strength for all mankind that enriching, educating and nurturing the female child is in essence making the world a better place.”
As producer of the show, Natasha Bryson of REDgemini, hopes the event draws a diverse audience.
“I think fashion is one of those things that any and everyone can identify with,” Bryson said. “Fashion essentially becomes the drawing card used to deliver the bigger message.”
Ms. Sam could not agree more.
“Fashion is a vehicle for social awareness,” Ms. Sam said. “A lot of people see fashion as fluffy and materialistic, however fashion is an industry that provides employment to so many around the world, it allows individuals to show their creativity and it serves as a source of income. My goal with Afua's Foundation is to raise awareness about issues that are important to me and utilize my work as a designer to provide as much financial support as I can through fundraisers, donations and personal contributions.”
Studio D-Maxsi will share the runway with renowned fashion designers Alek Risminic Couture, Estella Couture-Nigeria, Lenny Yorke, Magnami Style & Co, and Shaka King.
In addition to a silent auction, the WFWP will present its Ambassador of Peace award to Carol Schwartz, At-Large City Council member and Congresswoman Diane E. Watson, California’s 33rd District of the House of Representatives in recognition for their contributions to peace building, education and human rights for women and children.
WFWP, USA is based on the belief that the family is the cornerstone for peace in the world, and that mature couples are the foundation for strong and loving families. WFWP, USA encourages every woman to become a "woman of peace" through cultivating her mother’s heart, to care for all children and families throughout the world, by developing and utilizing the qualities of empathy, forgiveness, and unconditional love. For more information, visit www.fashionforpeace.org.
Ask someone what fashion means to them and hopefully you will hear the words catalyst for change.
Tuesday, October 30, 2007
Can Fashion Fight Poverty?
Borrowing from the title of a recent forum sponsored by Fashion Fights Poverty, a Washington, D.C.-based non-profit, a panel of experts enlightened an audience of fashion mavens and activists on the global landscape of poverty.
According to UNICEF, one billion children live in poverty – half of the world’s population of children. Six million children die from malnutrition before their fifth birthday every year. 218 million children between the ages of 5 and 17 work in developing countries. Startling numbers in an age where wealth knows no boundaries.
The fashion industry - in collaboration with international humanitarian organizations and fair trade federations - have a solution: creating sustainable economic markets through employing local artisans (of working age) and using environmentally-sound methods to produce fabric. For an industry that is the mastermind behind fads, this is an idea that took root more than five years ago. However, the fad is growing in momentum and the international community sees room for improvement.
The forum provided a platform for experts to share challenges and solutions. A representative from UNESCO calls for capacity-building, investing in local markets, and creating networks for local artisans.
Kimberley Person of Gecko Traders, a Virginia-based fair trade company, cited difficulties working in developing countries but has found success in implementing sustainable employment strategies as a method to alleviate poverty. This sensible and long-term approach is at the heart of the fair trade industry, which has become a $220 billion industry – we love fair-traded products!
The panelists were quick to point out the one person not seated amongst them. That person occupied the seat across the room. An equal player in alleviating poverty is you, the consumer. Stop and think about it. Where do your clothes come from? Where was it produced? How was it produced? By whom was it produced?
It is disturbing to think that while hundreds of thousands of children take to the streets peddling everything from candy to themselves worldwide, we agonize over what to wear to an upcoming gala or whether or not we want the Prada or Louis Vitton handbag. This is not a guilt versus selfish argument I’m making. It is more an argument for responsibility. As echoed in earlier blogs, each and everyone of us has a responsibility to our environment and social infrastructure beginning with awareness. Just as you may be aware of the harmful effects of sun damage, you may want to consider the origin of that $300 blouse – was the fabric dyed or spun from 100% organic cotton? Was it sewn by the hands of a 6-year-old or working-aged adult for $1.00 an hour or a decent living wage? Was it made in the confines of a safe environment or a poorly vented warehouse?
These are not tough questions, but the answers are not always easy to find. Sure, transparency is more widely enforced than ten years ago but what anti-poverty groups want to know is where are you willing to draw the line?
If anyone or anything should raise such questions, it should be the fashion industry. These are provocative questions coming from a provocative industry. It is only fitting that an industry synonymous with self-expression, innovation and trendsetting, plays a role in alleviating artisans and communities out of poverty.
The third annual Fashion Fights Poverty Fashion Show followed on the heels of the forum, igniting further attention to global poverty and global issues.
The show featured eight international designers selected because of their commitment to ethical fashion. The designers hail from the far reaches of Russia to Brazil unified in implementing eco-friendly practices and sustainable economic development throughout its supply chain.
“This kind of fashion is just as much as Vogue as it is Greenpeace,” said Michael Dumlao, co-founder of Fight Fights Poverty.
This year’s beneficiary was Aid to Artisans, an international non-profit focused on preserving artisan traditions through sustainable economic and social development for craftspeople worldwide. Past beneficiaries included United Nations Developmental Programs and Bead for Life.
“We are fighting fashion through beauty,” said Clare Brett Smith, President Emerita of Aid to Artisans.
I would be remised if I did not comment on the fashion show itself. Rickey Medlocke from Lynyrd Skynyrd fame, led the catwalk with guitar, courtesy of Gibson Guitars (eco-wood), in hand showing off the craftsmanship of Elizabeth Muir, the self-titled clothing label. “Sweet Home Alabama” rocked the house as the models strutted in the Afghanistan-inspired cloaks and accessories met with rock, country influences. The ready-to-wear portion of the evening concluded with Organia, a collection of feminine mini frocks and loungy tracksuits created by Miami-based designer Janelle Funair and graphic artist and designer Rodrigo Londono.
The intermission did not let you off the hook. Not that you would have wanted to make a run for the restroom or chocolate room – yes, a heavenly-scented room of chocolate. Guests refrained temptation in order to learn more about the beneficiary, Aid to Artisans, and watch the wives of the NBA Wizards model accessories by local craftsmen supported by Aid to Artisans and The D.C. Fashionista Group’s very own Abigail deCasanova. The finale was reserved for designers showcasing haute couture. My Signature Look had the pleasure of assisting the design duos behind Ecliptica. Norein and Michelle Otero presented evening cocktail attire favored by celebrities such as Hilary Duff, Roselyn Sanchez, Dayanara Torres, Carmen Dominicci and 2001 Miss Universe, Denise Quinones. The use of sequins and satin fabric was timely given to the volume of sequined mini dresses and tops found in every major chain department store, but they capitalized on their Spanish culture in the chosen vibrant colors and patterns. For a second, you imagine every female the luxury of wearing a dress so pretty.
But the reality is, no stress caused dressing 15 women in a matter of seconds compares to the stress of earning enough money to feed your family daily. Awareness may reveal ugly images, which is contrary to the glamour associated with the fashion industry. However, thanks to organizations such as Fashion Fights Poverty and Bono’s One Campaign, not only is global poverty more visible, these campaigns are providing real solutions, raising awareness and bringing an ever-increasing number of fashionably responsible options to you. If buying Edun or Del Forte jeans is not realistic at this time, then act by educating yourself and others on the issues, volunteering at an organization that addresses global poverty issues, or simply make a commitment to be part of the solution.
To find out more about global poverty and ethical fashion, check out the following links:
Aid to Artisans
Bead for Life
Ethical Fashion Forum
Fashion Fights Poverty
Fair Trade Federation
Gecko Traders
United Nations Association
To shop local examples of responsible dressing, check out these D.C. retailers:
Alex Boutique - clothing
American Apparel - clothing
Pangea World Market – clothing, accessories
Relish - clothing
Setchi Boutique – clothing, accessories
Tabar Boutique - handbags
According to UNICEF, one billion children live in poverty – half of the world’s population of children. Six million children die from malnutrition before their fifth birthday every year. 218 million children between the ages of 5 and 17 work in developing countries. Startling numbers in an age where wealth knows no boundaries.
The fashion industry - in collaboration with international humanitarian organizations and fair trade federations - have a solution: creating sustainable economic markets through employing local artisans (of working age) and using environmentally-sound methods to produce fabric. For an industry that is the mastermind behind fads, this is an idea that took root more than five years ago. However, the fad is growing in momentum and the international community sees room for improvement.
The forum provided a platform for experts to share challenges and solutions. A representative from UNESCO calls for capacity-building, investing in local markets, and creating networks for local artisans.
Kimberley Person of Gecko Traders, a Virginia-based fair trade company, cited difficulties working in developing countries but has found success in implementing sustainable employment strategies as a method to alleviate poverty. This sensible and long-term approach is at the heart of the fair trade industry, which has become a $220 billion industry – we love fair-traded products!
The panelists were quick to point out the one person not seated amongst them. That person occupied the seat across the room. An equal player in alleviating poverty is you, the consumer. Stop and think about it. Where do your clothes come from? Where was it produced? How was it produced? By whom was it produced?
It is disturbing to think that while hundreds of thousands of children take to the streets peddling everything from candy to themselves worldwide, we agonize over what to wear to an upcoming gala or whether or not we want the Prada or Louis Vitton handbag. This is not a guilt versus selfish argument I’m making. It is more an argument for responsibility. As echoed in earlier blogs, each and everyone of us has a responsibility to our environment and social infrastructure beginning with awareness. Just as you may be aware of the harmful effects of sun damage, you may want to consider the origin of that $300 blouse – was the fabric dyed or spun from 100% organic cotton? Was it sewn by the hands of a 6-year-old or working-aged adult for $1.00 an hour or a decent living wage? Was it made in the confines of a safe environment or a poorly vented warehouse?
These are not tough questions, but the answers are not always easy to find. Sure, transparency is more widely enforced than ten years ago but what anti-poverty groups want to know is where are you willing to draw the line?
If anyone or anything should raise such questions, it should be the fashion industry. These are provocative questions coming from a provocative industry. It is only fitting that an industry synonymous with self-expression, innovation and trendsetting, plays a role in alleviating artisans and communities out of poverty.
The third annual Fashion Fights Poverty Fashion Show followed on the heels of the forum, igniting further attention to global poverty and global issues.
The show featured eight international designers selected because of their commitment to ethical fashion. The designers hail from the far reaches of Russia to Brazil unified in implementing eco-friendly practices and sustainable economic development throughout its supply chain.
“This kind of fashion is just as much as Vogue as it is Greenpeace,” said Michael Dumlao, co-founder of Fight Fights Poverty.
This year’s beneficiary was Aid to Artisans, an international non-profit focused on preserving artisan traditions through sustainable economic and social development for craftspeople worldwide. Past beneficiaries included United Nations Developmental Programs and Bead for Life.
“We are fighting fashion through beauty,” said Clare Brett Smith, President Emerita of Aid to Artisans.
I would be remised if I did not comment on the fashion show itself. Rickey Medlocke from Lynyrd Skynyrd fame, led the catwalk with guitar, courtesy of Gibson Guitars (eco-wood), in hand showing off the craftsmanship of Elizabeth Muir, the self-titled clothing label. “Sweet Home Alabama” rocked the house as the models strutted in the Afghanistan-inspired cloaks and accessories met with rock, country influences. The ready-to-wear portion of the evening concluded with Organia, a collection of feminine mini frocks and loungy tracksuits created by Miami-based designer Janelle Funair and graphic artist and designer Rodrigo Londono.
The intermission did not let you off the hook. Not that you would have wanted to make a run for the restroom or chocolate room – yes, a heavenly-scented room of chocolate. Guests refrained temptation in order to learn more about the beneficiary, Aid to Artisans, and watch the wives of the NBA Wizards model accessories by local craftsmen supported by Aid to Artisans and The D.C. Fashionista Group’s very own Abigail deCasanova. The finale was reserved for designers showcasing haute couture. My Signature Look had the pleasure of assisting the design duos behind Ecliptica. Norein and Michelle Otero presented evening cocktail attire favored by celebrities such as Hilary Duff, Roselyn Sanchez, Dayanara Torres, Carmen Dominicci and 2001 Miss Universe, Denise Quinones. The use of sequins and satin fabric was timely given to the volume of sequined mini dresses and tops found in every major chain department store, but they capitalized on their Spanish culture in the chosen vibrant colors and patterns. For a second, you imagine every female the luxury of wearing a dress so pretty.
But the reality is, no stress caused dressing 15 women in a matter of seconds compares to the stress of earning enough money to feed your family daily. Awareness may reveal ugly images, which is contrary to the glamour associated with the fashion industry. However, thanks to organizations such as Fashion Fights Poverty and Bono’s One Campaign, not only is global poverty more visible, these campaigns are providing real solutions, raising awareness and bringing an ever-increasing number of fashionably responsible options to you. If buying Edun or Del Forte jeans is not realistic at this time, then act by educating yourself and others on the issues, volunteering at an organization that addresses global poverty issues, or simply make a commitment to be part of the solution.
To find out more about global poverty and ethical fashion, check out the following links:
Aid to Artisans
Bead for Life
Ethical Fashion Forum
Fashion Fights Poverty
Fair Trade Federation
Gecko Traders
United Nations Association
To shop local examples of responsible dressing, check out these D.C. retailers:
Alex Boutique - clothing
American Apparel - clothing
Pangea World Market – clothing, accessories
Relish - clothing
Setchi Boutique – clothing, accessories
Tabar Boutique - handbags
Tuesday, October 9, 2007
D.C. Fashion Week Goes International
D.C. Fashion Week came to a close September 30, culminating in the Cojor International Fashion Show featuring a contingent of international designers such as Yosoy Fashion, Studio D-Maxsi, Motlapele, Symbat, and Sophia Ali. Runway Africa jumpstarted the week with what could be described as electrifying, followed by collections from Central Asia’s leading fashion house, Symbat, and four international designers in the Ethical Fashion Show.
Did I mention this was D.C. Fashion Week? After all, the nation’s capital is the epicenter of multiculturalism and international designers speak ready-to-wear and haute couture.
My Signature Look had the fortune of styling the Suutra collection for the International Ethical Fashion Show. Suutra was founded by two Indian women, Avni Jamdar and Mona Shah, to offer contemporary women’s apparel and accessories while creating sustainable employment opportunities for women artisans in India. Suutra’s clothing integrates a sophisticated fashion aesthetic with exquisite, age-old artisan techniques. In support of the sustainable and green movement, the fabrics are organic and eco-friendly that do not harm the environment. The models walked the runway as if they were going to a farmer’s market or meeting a friend for coffee – moderate pace, hips swaying, and smiling. The outfits were accessorized with CG Originals’ colorful beads and silver and high-quality handbags from TABAR Boutique.
Priya Pratel, founder of Avani Ribbon, produced the show in collaboration with Fashion for Development, a project started by Pratel at the World Bank. Pratel’s mission to promote ethical and emerging market designers became realized through the show’s mix of trade show and fashion show. Vendors and designers, whom all endorsed an Ethical Code of Conduct, impressed the attendees and each other with natural fabrics transformed into exquisite clothing, precious jewelry, and durable handbags. The union of creative talent sparked future business relationships and impulse purchases that validated the night’s purpose.
The week’s events brought the world to us. We sat entranced by the bold use of color and fabrics that conveyed the designer’s worldview - perhaps influenced by their cultural identity and belief system. If there were any shared views, then I hope it was in the social responsibility we have to sustain an industry built on fairness and respect for workers and the environment.
Save the Date: D.C. Fashion Week Spring 2008 February 24 - March 2, 2008. Don’t forget your passport!
For more information about Avani Ribbon and the other participating designers and vendors visit www.avaniribbon.com. Photos of Suutra collection posted above (see Avani Ribbon for more pictures of this collection).
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